{"id":3855,"date":"2021-10-13T12:51:00","date_gmt":"2021-10-13T10:51:00","guid":{"rendered":"https:\/\/www.chateaudegoutelas.fr\/?p=3855"},"modified":"2023-05-26T09:56:55","modified_gmt":"2023-05-26T07:56:55","slug":"images-migrantes-les-projections","status":"publish","type":"archive","link":"https:\/\/www.chateaudegoutelas.fr\/en\/archive\/images-migrantes-les-projections\/","title":{"rendered":"DU 25.11 AU 29.11 – IMAGES MIGRANTES : les projections"},"content":{"rendered":"
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Dans le cadre du temps fort Images migrantes, Regards sur l’hospitalit\u00e9 – Du 25 au 29 novembre 2021<\/a><\/h4>\n
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S\u00e9ances \u00e0 Goutelas : films documentaires<\/strong><\/h3>\n

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\u00a0<\/span>Hind Meddeb, Manon Ott et Tamara Stepanyan : les films de ces jeunes r\u00e9alisatrices pr\u00e9sentent trois exp\u00e9riences de la migration et de l\u2019(in)hospitalit\u00e9. Au c\u0153ur du quartier parisien de Stalingrad, d\u2019une banlieue ouvri\u00e8re en mutation ou d\u2019un petit village arm\u00e9nien, portraits de vies marqu\u00e9es par la travers\u00e9e des fronti\u00e8res.<\/span><\/p>\n

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Samedi 27 novembre | 14h<\/strong><\/h4>\n

Paris Stalingrad<\/strong><\/a><\/h4>\n

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Hind Meddeb et Thim Naccache (France | 2020 | 86 min)<\/p>\n

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En suivant le jeune Souleymane, Paris Stalingrad<\/em> retrace le parcours des migrants dans Paris : les campements de rue, les interminables files d\u2019attente devant les administrations, les descentes de police et la mobilisation des habitants du quartier pour venir en aide aux r\u00e9fugi\u00e9s.<\/p>\n

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En pr\u00e9sence de la r\u00e9alisatrice<\/strong><\/p>\n

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Dimanche 28 novembre | 11h<\/strong><\/h4>\n

De cendres et de braises<\/b><\/a><\/h4>\n

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Manon Ott et Gr\u00e9gory Cohen (France | 2018 | 73 min)<\/span><\/p>\n

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Portrait po\u00e9tique et politique d’une banlieue ouvri\u00e8re en mutation,\u00a0De Cendres et de Braises\u00a0nous invite \u00e0 \u00e9couter les paroles des habitants des cit\u00e9s des Mureaux, pr\u00e8s de l’usine Renault-Flins. Qu’elles soient douces, r\u00e9volt\u00e9es ou chant\u00e9es, au pied des tours de la cit\u00e9, \u00e0 l’entr\u00e9e de l’usine ou \u00e0 c\u00f4t\u00e9 d’un feu, celles-ci nous font traverser la nuit jusqu’\u00e0 ce qu’un nouveau jour se l\u00e8ve sur d’autres lendemains possibles.<\/p>\n

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Dimanche 28 novembre | 15h<\/strong><\/h4>\n

Village de femmes<\/b><\/a><\/h4>\n

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Tamara Stepanyan (<\/span>France, Arm\u00e9nie | 2019 | 92 min)<\/span><\/p>\n

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Un village o\u00f9 r\u00e9sident des femmes, des enfants et des personnes \u00e2g\u00e9es. Les hommes partent neuf mois par an en Russie pour travailler. L’\u00e9t\u00e9, une atmosph\u00e8re lente et conviviale ; les femmes font le foin, coupent l’herbe et stockent pour l’hiver.<\/p>\n

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En pr\u00e9sence de la r\u00e9alisatrice<\/strong><\/p>\n

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S\u00e9ances au cin\u00e9ma L’Entract : films documentaires et fiction<\/strong><\/h3>\n

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Au cin\u00e9ma L’Entract, 23 rue Alsace Lorraine, 42130 Bo\u00ebn-sur-Lignon<\/span><\/p>\n

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Jeudi 25 novembre | 20h30<\/strong><\/h4>\n

Demain est si loin<\/b><\/a><\/h4>\n

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Muriel Cravatte (France | 2020 | 88 min)<\/span><\/p>\n

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Chaque jour, des exil\u00e9s tentent de traverser la fronti\u00e8re franco-italienne \u00e0 pied pour rejoindre la France, empruntant des itin\u00e9raires de montagne dangereux pour \u00e9chapper aux traques polici\u00e8res. Arriv\u00e9s \u00e0 Brian\u00e7on, ils sont accueillis pendant quelques jours au Refuge Solidaire, h\u00e9bergement d\u2019urgence g\u00e9r\u00e9 par des b\u00e9n\u00e9voles. Entre harc\u00e8lement policier et criminalisation, les solidaires qui viennent en aide aux exil\u00e9s s\u2019organisent pour continuer \u00e0 agir.<\/p>\n

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En pr\u00e9sence de la r\u00e9alisatrice<\/strong><\/p>\n

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Dimanche 28 novembre | 17h30<\/strong><\/h4>\n

Midnight Traveler<\/b><\/a><\/h4>\n

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Hassan Fazili<\/span> (\u00c9tats-Unis, Qatar, Royaume-Uni, Canada | 2019 | 87 min)<\/span><\/p>\n

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Lorsque les talibans mettent sa t\u00eate \u00e0 prix, le r\u00e9alisateur afghan Hassan Fazili est forc\u00e9 de prendre la fuite avec sa femme et ses deux jeunes filles. Saisissant leur parcours incertain \u00e0 l\u2019aide de trois smartphones, Fazili montre \u00e0 la fois le danger et le d\u00e9sespoir auxquels sont confront\u00e9s les r\u00e9fugi\u00e9s demandeurs d\u2019asile mais aussi l\u2019immense amour qui le lie \u00e0 sa famille.<\/p>\n

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Dimanche 28 novembre | 20h30<\/strong><\/h4>\n

Atlantique<\/b><\/a><\/h4>\n

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Mati Diop (France, S\u00e9n\u00e9gal, Belgique | 2019 | 104 min) <\/span><\/p>\n

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Dans une banlieue populaire de Dakar, les ouvriers d\u2019un chantier, sans salaire depuis des mois, d\u00e9cident de quitter le pays par l\u2019oc\u00e9an pour un avenir meilleur. Parmi eux se trouve Souleiman, qui laisse derri\u00e8re lui celle qu’il aime, Ada, promise \u00e0 un autre homme. Quelques jours apr\u00e8s le d\u00e9part en mer des gar\u00e7ons, un incendie d\u00e9vaste la f\u00eate de mariage d\u2019Ada et de myst\u00e9rieuses fi\u00e8vres s’emparent des filles du quartier.<\/p>\n

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Lundi 29 novembre | 20h30<\/strong><\/h4>\n

Le bon grain et l’ivraie<\/b><\/a><\/h4>\n

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Manuela Fresil (France | 2018 | 94 min) <\/span><\/p>\n

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En petite bande joyeuse, ils dansent, rient, font des batailles de boules de neige, mais o\u00f9 dormiront-ils cette nuit\u00a0? Dans un hall de gare\u00a0? Dans un centre d\u2019h\u00e9bergement\u00a0? En France, aucun enfant ne devrait se poser ces questions.<\/p>\n

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S\u00e9ances \u00e0 Goutelas : gratuit, sur r\u00e9servation<\/b><\/p>\n

S\u00e9ances au cin\u00e9ma : 6 \u20ac | 5 \u20ac tarif \u00e9tudiant, billetterie sur place (pas de r\u00e9servation)<\/strong><\/p>\n

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Photo \u00a9 Paris Stalingrad – <\/span><\/i>Hind Meddeb et Thim Naccache<\/span> \u00a0(France | 2020 | 86 min)<\/span><\/p>\n

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